I paid for a half dozen versions of SONAR before Bandlab made it a free product. They all have learning curves, but I find I get the best sounding results faster with Cakewalk for most of the things I do. For everyday tasks, I find myself using Cakewalk more than the others. Cubase has some great tools for composing with chords and sampling. StudioOne is the best for packaging a CD. Regarding the comparisons with Cubase and StudioOne, I own all three. And you can build your own lenses as desired. The program comes with several "lenses" that try to orient the GUI for the tax at hand (tracking, mixing, mastering, etc.) This hides things that aren't particularly relevant to that task. One is to right click on the Control Bar and select modules. If one is good at slicing audio one could slice individual sections or notes and create an entire new wav file with exactly the notes one wants.Ĭakewalk by BandLab (CbB) has a few features that can help simplify and declutter the look of the GUI. It seems possible to me that using a template such as I did above, I could generate 7 tracks of trumpet RT playing over my project chord chart and take samples from those track generations and insert them into my sfz template thus creating an sfz modeled from my project Chord Chart and RealTrack instrument. Mario, the conversation led me along this train of thought from your quote,"For example if you find a better trumpet." to Can I make a better trumpet part for my song?įor Example, you have a song with a trumpet RealTrack that you wish it could play a more complex or recognizable riff than what the RT itself can generate. It worked quite well and I had a fairly complex and complete sfz. Then I inserted my samples I had made so the file used my samples to sound out. I played around with creating sfz files and was able to create one fairly quickly and without knowing what I was doing by finding a tutorial on YouTube and the instructor had a screen shot of a sfz that was larger and more complex than what I had the ability to do myself.
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